by Kristian Hernandez, Senior Editor, SVG News
ternational Speedway. The transition, coupled with the return of full-capacity crowds, turned into a decision that defined a new chapter in the broadcaster’s studio production for the Daytona 500. Now, to further engage with the fans, the broadcaster has installed in a new PA system to boost the excitement.
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“It’ll be a small PA system with our partners at CP Communications,” says Mikulicka. “We’re not going to go as large as Big Noon Kickoff audio-wise, but we want to bring more of that feel to this onsite show.”
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